Wearable haptic artefact · 2016–2023

I am feeling blue… and red

A denim glove that senses colour and translates RGB values into vibration, making colour available as a tactile and bodily composition.

Read the project
A denim haptic glove sensing the colours and textures of a yellow fabric object.
Exploring colour and texture through the fingertip sensor. Documentation from O’Nascimento (2023).
Project typeResearch · Tool / prototype · Fashiontech · Collaboration
ThemesEmbodied & haptic interaction · Wearables & e-textiles · Materials & making
FormWearable haptic artefact
Developed2016–2023
InputFingertip RGB colour sensor
OutputForearm vibration patterns

01 · Proposition

Colour can be felt differently

I am feeling blue… and red unsettles the assumption that colour belongs only to vision by translating sampled RGB values into patterns of vibration on the arm.

A colour sensor positioned at the fingertip reads surfaces encountered through a deliberately constrained hand gesture. Embroidered conductive-thread circuits carry the signal through the denim glove to vibration motors placed along the forearm.

The translation is not presented as a substitute for sight or as a universal code. It is a designed sensory proposition: an invitation to notice how colour, touch, posture and expectation are reorganised through the wearable.

Video documentation

Colour translated into vibration

Project documentation showing how the wearable senses colour and distributes tactile feedback along the arm.Watch on YouTube ↗

02 · Experience

Sample, translate, feel

  1. 01

    Encounter

    The wearer approaches a coloured surface through the glove’s extended fingertip.

  2. 02

    Translate

    The sensor reads RGB values and maps them to a programmed haptic pattern.

  3. 03

    Attend

    Vibrations distributed along the forearm become a tactile experience of colour.

03 · Reflection

Translation creates a new sense relation

The artefact does not reproduce colour in touch; it composes a situation in which the senses can be reconsidered together.

The glove makes sensory translation tangible while also foregrounding the body’s role in interpretation. Its unusual hand posture, denim structure and moving vibration patterns contribute to the experience as much as the colour data itself. The project therefore treats multisensory design as a situated encounter rather than a simple conversion between channels.

RGB → vibration

Colour data becomes a changing haptic pattern along the arm.

Embroidered circuit

Conductive thread integrates sensing and actuation into the glove.

Sensory inquiry

The wearable supports research into colour, touch and embodied interpretation.

Credits & archive

Project record

Concept and research
Ricardo O’Nascimento
Development
Ricardo O’Nascimento, Ronaldo Martins da Costa and Gustavo Laureano
Commissioning context
Media Lab UFG