Research artefacts · 2024

Multistable Ideation Artefacts

Three open-ended wearables for thinking with the body about technologies that do not yet have a settled use.

Read the project
Research poster showing a textile wearable, its electronics and a second modular artefact
Multistable Ideation Artefacts: material, body and context remain open to interpretation.
Project typeResearch · Tool / prototype · Method / framework
ThemesEmbodied & haptic interaction · Speculative & critical design
FormThree wearable research artefacts
Year2024
StudyEmbodied ideation with four participants
ContextWearable haptics / multistability

01 · Proposition

An artefact can suggest many futures

The Multistable Ideation Artefacts suspend the usual question—what does this device do?—and replace it with a bodily one: what could this sensation become?

A garment, a textile strip and a modular piece each connect sensing and actuation without assigning a single application. Their deliberately unfinished character gives participants room to interpret movement, pressure and vibration through their own bodies.

The method draws on postphenomenology and the idea of multistability: technologies can take on different meanings and roles depending on bodies, situations and ways of use.

02 · Experience

Sense, interpret, imagine

  1. 01

    Encounter

    Each participant wears and moves with all three artefacts without being given a prescribed purpose.

  2. 02

    Attend

    Sensation, movement and bodily awareness become evidence: where is the effect felt, and how does it change?

  3. 03

    Project

    Participants imagine possible applications, settings and social meanings from the experience itself.

03 · Reflection

Ambiguity becomes a design resource

The artefacts do not represent finished products. They make interpretation visible as part of designing technology.

Across the sessions, the same sensor–actuator relation was understood in multiple ways. This plurality helped surface assumptions about usefulness while keeping poetic, intimate and speculative possibilities in play.

3 artefacts

Garment, strip and modular textile configuration.

4 participants

Every participant explored the complete set.

Open meaning

No fixed application was assigned in advance.

Credits & archive

Project record

Research and design
Ricardo O’Nascimento
Doctoral supervision
Tincuta Heinzel and Kerri Akiwowo
Research context
Loughborough University

References

Documentation from the project archive.